Diesis :: for double bass and live electronics commissioned by the London Sinfonietta, premiered by Enno Senft in Hall 1, Kings Place. 2011. Recorded and commercially released on New Music Show, London Sinfonietta Records, 2012.
Good Boy, Bad Boy :: for viola and multichannel electronics commissioned by the London Sinfonietta, premiered by Paul Silverthorne and Sound Intermedia in Hall 1, Kings Place, 2009.
The New Atlantis :: for harpsichord and multichannel electronics commissioned by the Handel House Museum, premiered by Jane Chapman, 2010.
Behold the Best of Mornings :: for multiple choirs commissioned and premiered by Llandaff Cathedral Choral Society at the Royal Welsh College of Music and Llandaff Cathedral, broadcast by BBC Radio 3, 2012.
Cries of Peckham Rye :: commissioned by Sarah Turner as part of her feature documentary Public House, performed with Dulwich Folk Choir and premiered at London Film Festival with subsequent screenings at The ICA and Tate Modern, 2015.
Lumen :: for eight part a cappella choir commissioned by the Handel House Museum, premiered by the Pegasus Choir, 2009.
Cut, Strike, Throw, Grip :: for two keyboards and electronics, commissioned by Kate Halsall premiered at Huddersfield Contemporary Music Festival. Recorded and commercially released on Miniaturised Concertos | Maché, Metier Records, 2016.
Dis.Lo.Cate :: for chamber ensemble (2 fl, ssax, bsax, 2 kybd/2 acc, 2 perc, vln, vc & bgtr) commissioned by the Bang On A Can All-stars, premiered at Massachusetts Museum of Modern Art, North Adams (USA) and by the Automatic Arm at the Arnold Schoenbergzaal, The Hague (Netherlands), 2004.
Dogtrot :: for brass ensemble commissioned by Orkest de Volharding and broadcast on Het Nederlands Radio 4, 2002.
Down the Rabbit Hole :: for sinfonietta commissioned by Modelo ’62 and premiered at the Old Kerk as part of Gaudeamus Music Week, Amsterdam, 2005.
Ellipsis :: for 6 keyboards commissioned by Piano Circus, 2009.
Ellipse :: for keyboards and electronics for douDorT, 2010. Recorded and commercially released on Triple Point, Squeaky Kate Music, 2011.
Graffiti :: for sho, shakuhachi, flute, oboe, clarinet, viola, koto and harp commissioned by Okeanos, premiered at Wilton’s Music Hall as part of Spitalfield’s festival, 2005.
Nook :: for string quartet, short listed by the Society for the Promotion of New Music, premiered by the Arditti Quartet in the Queen Elizabeth Hall, London, 2002.
O virgo virginum :: for sinfonietta performed by Guildhall School of Music Contemporary Music Ensemble as part of the GSMD Contemporary Music Festival 2001.
Ruck :: for sinfonietta commissioned by the Dartington Festival Orchestra premiered at Darlington Hall, 2003.
…undistinguished things to senses ruck… :: for string orchestra commissioned by the Goldberg Ensemble as part of their UK New Music tour, 2003.
Flutter :: sound on film in collaboration with Jamie Worsfold, 2001, shortlisted for The Art of Love 2005 London.
His sinews lay bare :: sound on film collaboration written for early music ensemble, 2003.
If only my heart were in the laundry/ Dry Clean Only :: dance collaboration with choreographer Einy Am for tenor saxophone, harp & percussion with soundscape. This work was featured on the BBC Radio 3 dance programme “…&1”, 2001.
Parallax :: acousmatic video installation as part of Hack the Barbican, Barbican Centre London, 2014.
Practice :: acousmatic work (sonic art & sound design) commissioned by choreographer Nicola Conibare, premiered at the Laban Centre, London, 2012.
Ruck :: a collaborative reworking of the above for sinfonietta with choreography by Matthew Herzka for Het Akoestisch Drama Festival, Theatre het Spui, The Hague, 2003.
Surface to Surface :: 12 acousmatic miniatures commissioned by Tate Modern responding to Susumu Koshimizu’s sculpture of the same title, 2013.
Surface Tension :: collaboration with artist Mo Kiziwiecz commissioned by the CASCADE conference for quadraphonic sound. Looped 2002
Torsion :: dance collaboration with artist/ choreographer Jo Butts. 2000
Track Addict :: film soundtrack for early music ensemble. Short listed by the International Film Festival, Denmark. 2003
Black Harvest :: chamber opera for 17 voices, 2 pianos and 2 percussion collaborating with artists Jo Willis and Minnie Wiesz with libretto by Lucy Hudson. Commissioned by the Guildhall School of Music Drama with support from the Royal College of Art. Directed by John Ramster and produced by Robin Bowman, 2003.
Cronan an Dain :: for mezzo soprano, bass clarinet and electronics commissioned and premiered by Alison Wells and Ian Mitchell at SABRe symposium, Keele Univeristy, Keele, 2012.
Definition :: for mezzo-soprano & piano, text Lucy Hudson, 2001.
No Man is an Island :: for soprano and electronics commissioned by SoundKarD premiered at Non-Classical, London, 2016.
Soundbyte :: a cappella duet for mezz-soprano and contralto, text Lucy Hudson, premiered at Mai Festival, The Hague, 2003.